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Moving on..!

6 Feb

Just about a year ago I started this blog. Primarily it’s the documentation of research and the processes of my Masters Degree (@DJCAD) from which I graduated in November 2011. MysteryBoxes will remain live but will not be update anymore.

I ‘ve taken the key information and projects from here and presented it in a (hopefully) more legible structure.

So, if you are following here then please join me over here..!

Have a look around the new site and keep your eye on the blog for projects rolling out over the next couple of weeks including a return of BMEDay (on Instagram), a QR Code history trail project that I’m designing with a group of Primary School children and the latest information on the Dighty Burn!

Can’t wait to get you up-to-date! 🙂

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Peer Readings

25 Nov

Peer Readings
First of all, it’s a poor name… i’ll try to think of something snappy and get back to you..!

As you may have realised, through the course of reading this blog, one of my interests is using mobile applications in ways that can aid education. This interst is usually filtered through my experience as a parent and the interests of my kids, which means I have a bias towards pre-school up to early primary years, but in most cases I think the ideas could easily be adapted.
Previous ideas include QReative Reviews and BME(Beginning, Middle and End)Day.
This new idea has come from my daughters interest in books. In the last year her reading has rapidly improved and she’s reading entire books on her own.
For homework she has books to read to us, which she enjoys doing, and her brother enjoys listening too. This reminded me of their audio books (which they love) and whether they, and other kids, would equally enjoy listening to stories read by their peers, or other kids in general.
Without any persuasion whatsoever she happily allowed me to record her reading her latest school book. Two takes did it. There’s also a little interview which I did immediately afterwards to get her opinions on listening to other kids reading. I would be interested to hear from teachers and parents as to whether this is something which is done in classrooms and if there is value in sharing stories being read in this way.

As ever, please leave you comments below 🙂

#VloMo11 (Video Bloggers Month 2011)

18 Nov

I’m not sure whether I qualify as a video blogger – how many videos should you be uploading a week or month for that to be the case? Anyway, I love the concept and decided, when I heard about VloMo11 last week, that I would join in.

Nothing too fancy of my own as yet but loving catching up with other VloMo-ers videos via Twitter and on YouTube. I’m using this post as a collection of my own and also a selection of others which have caught my eye – in particular a new online facility which I had never heard of until this week called ‘PummelVision’ which pulls images from RSS, Flickr, etc and puts them to music and posts them on YouTube or Vimeo. I first saw this put to use in a VloMo11 from @Documentally yesterday and was instantly impressed… only to find that it would have taken him 5 mins 🙂
It is, however a very creative use of the application, using it to present a years worth of Instagram images…

Cool though, and I couldn’t wait to make one of my own! (in 2 mins ;)) Just using a set from my Flickr feed…

Other highlights this week, which feature heavily in my videos was my Graduation Ceremony. On Tuesday I was in Dundee getting last minute bits ‘n’ bobs for the event on Wednesday so I did a 360 degree shot of the City Square, outside of the Caird Hall (where the ceremony takes place)…

and then the next day did a comparrison shot, post ceremony. (Here you have the opportunity to run them simultaneously!!!)

The thing with posting a video every day is coming up with fresh material but it’s a great exercise so, even though I arrived at the party very, very late, here’s to the rest of the month. Thanks also to the other VloMo-ers who have provided so much inspiration in what they’ve done…

Here’s a small selection…

Dighty Burn aka “Di’K-ty B’R-n”

4 Nov

The first thing you should understand about the Dighty Burn is how to pronounce it. It’s ‘Di’k-ty’, but the ‘k’ is ‘ch’ as in ‘Loch’. It’s a sound a Scot can make with ease, whereas I (being a mere Englishman), almost dislocate my neck in the process and still manage to sound like I’m about to vomit.

However, I am so very grateful for the Dighty as Rick Curran and I are currently working on the next incarnation of our QR trails; and if all goes to plan this one will be permanent!

Several months ago Rick and I (QReate.co.uk) pitched an idea to Broughty Ferry Environmental Project (BFEP) to take their enormous catalogue of audio and video footage of Dighty stories and give it a digital home which could be accessed on mobile devices while in the Dighty environment itself. It didn’t take much more than that to get the commission and we’re very grateful to the BFEP for giving us this opportunity.
More than any other of my QR projects to date ‘Dighty’ has all of the key QR ingredients in one place: part treasure hunt, part historical document; educational and entertaining; we’re going to have fun making the Dighty QR Trail as rich and as social an experience as we can.

So, today I was off taking pictures and getting a feel for how the project is going to pan out. I’ll add a link to Flickr in due course and also some mock-ups of QR code designs and locations as soon as they are approved.

I’ve been experimenting with AudioBoo (AudioBoo.fm) for a few months now and today was my first ‘proper’ Boo… no pre-record or editing (or kids) just me, in the car commenting on my first proper visit to the Burn. Here it is:

More on the Dighty project soon…

Mixed Media

7 Sep

Another inspirational AudioBoo from Christian Payne, aka @Documentally

Much of what I was trying to achieve through my QR hunts was to demonstrate what a number of people are already doing…

In our analogue world we share common behaviours:
we: • experience • explore • interact,
with:  •people • objects • environments…
we: • document • archive • share…

I have been constructing spaces in the real-world where real journeys take place. Navigation however is achieved by means of technology (Mobile devices, Google Maps, QR Codes); capturing, documenting and sharing as we go (Twitter, Instagram, AudioBoo, FaceBook, Flickr, YouTube, Vimeo), with the Dungeon Master curating this content for online audiences across the World (WordPress, Storify).

My games (the image above is from my St Andrews PHD Summer School game) reflect the digital equivalent of those common analogue behaviours which will become even more prevalent in the future. Some are already doing it – see Documentally amongst others. However, I believe my games can help us understand what we want from these tools, what uses we can find for them and what forms they should take in the future.

Documentally’s Boo is specifically about the various ways in which we ‘consume’ media. He observed within a few, cramped, square feet multiple methods of creating and consuming media, each of them a succession in terms of technology but each equally valid and acceptable in itself.

There may be value in artificially constructing such a scene – however contrived it may seem – as an illustration of where we stand with regards to media in 2011. But to have witnessed it in the wild..!? There are definitely overtones of a frustrated Attenborough as Documentally, our guide in the urban jungle, laments missing the money-shot!

So have a listen to Documentally’s AudioBoo, but before you do please sign up on the right for updates – In the coming weeks I plan to deliver complete outlines and outcomes from the three real-world games plus the smaller prototype games, projects and methods in development as a result of my Masters project.

I passed BTW 🙂

Practice what you preach…

3 Aug

In pieces... The beginnings of my final show plinth...

I’ve been in the Uni workshop over the last two days putting together a display piece for my final show… you may even recognise the design..!

As a demonstration of what I’m trying to achieve through my project, and as I’d aquired a funky new app, I thought I should get documenting and sharing…

This was yesterday afternoon…

I captured these two videos with iMotion HD, an easy to use stopframe and timelapse photo app for  iPad2 and iPhone… an ideal format for demonstrating what I was doing rather than dull, real-time clips of me gluing, etc…

You’ll also find Instagram stills via my Flickr page feed on the right. I’ll be combining some of this content, and more, for display in my final show.

Who Killed The QR Code?

25 Jul

Marble QR memorial in Pere Lachaise, Paris

Found this on the web via ‘Geek-eLeaks‘ and copied it here before it was removed… apparently a leaked obituary for the QR Code!

Obituary: QR Code

Who Killed The QR Code, aka Quick Response?
The sad irony of course was that the QR Code was anything but ‘quick‘ to catch on. Is this a tale of ‘tech‘ ahead of it’s time?

Created by the ‘Terminator II‘ sounding Denso Wave (a subsidiary of Toyota) in 1995, to keep track of car parts, the QR filtered through into public consciousness in the mid-naughties with the rise of the ‘smart phone‘! But it seems that the phones were smarter than the people and the QR just didn’t catch on. Speaking from Cupertino back in 2002 an iPhone said, “Sure I can make calls and text an stuff, but when you’ve paid $500 for a phone and $30 a month for two years you need a little extra, a little justification, to sweeten the purchase! QR did that for me in spades.. the geeks ‘lurve’ the Codes maan!
Clearly a hit with the early adopters QR Codes, along with more obviously useful applications, promted a whole slew of smart phone purchases and QR Codes could be found across the world on the office doors of computer scientists who would embed them with ZX81 jokes.
However, the ascension of the bell curve from early adopter obscurity to it’s big break with the early majority fan-boy status was an endurance test of K2 proportions. But even then it didn’t quite happen for the Code.
2009 was heralded as Year of the QR Code… as was 2010… and then 2011. To be fair 2011 looked promising, but even before the paint was dry on the ‘welcome‘ banners the backlash had started and signalled the demise of the Code called Quick. So what was it exactly that made the Code more Napoleon Dynamite than Justin Bieber?
Was it the casual association with Supermarket 1D barcodes?
Did it’s challenging appearance make it the Elephant Man in the room?
This may be one autopsy that remains unresolved.
This mystery may never be explained.
However, there is one designer who believes ‘mystery’ is ‘the key’. He also believes that the passing of the QR Code is much simpler than the media would have us believe.

Initially designer Jon Gill wasn’t enamoured by the QR code, he was much more interested in the much ‘cooler’ GPS technology, but the QRs accessibility made it perfect for his projects. In early 2009 he started an outdoor visual arts exhibition project called SuperFly. While QRs were on the cards from the start it would be late 2010 before they found their way onto a SuperFly street poster treasure hunt called NEoN Knights.

Gill says of QR Codes“They are a great tool for ‘mystery’! Once you’ve scanned one you can’t wait to find out what lies behind the next!”
Gill developed a close working relationship with the Code, some would say too close… but undeterred by the naysayers Gill persevered with a single minded creative passion. Of the Codes untimely relegation and controversial Wikipedia entry deletion, he says, “The problem, as I see it, was that too much responsibility was placed on the shoulders of the QR code. The QR is a key, a doorway if you will, to somewhere interesting, engaging, and worthy of the mystery implied by the enigmatic pixelated box that bought you here. The trouble was, while there were lots of really cool and creative uses of the QR they were swamped by a deluge of rubbish from ‘less_than_creative_marketeers.com’ who just didn’t understand what to do with them.”
‘Less than Creative’ advertising and PR is nothing new. Open a magazine. Turn on a TV. Any day of the week. You’ll never be far from a steaming pile of marketing manure. But on this occasion it was the QR Code carrying the can. By early 2012 “doing a QR” had superseded “doing a Murdoch” (which, only months before had superseded “doing a Lucan“) as the street-side nomenclature for ‘disappearing without a trace‘.
The collapse of the QR Code would almost take Gill with it, although it appears he was doing a fine job by himself… he laments, “I was the QR-go-to-guy… the QR-go-to-superguy..! But when the QR Code folded I was seen as a one trick pony… I was a laughing stock and… well… folk assumed I’d go with it.
I’ll have the last laugh though… with ‘HooLED-Hoops’ my line of Hula-hoops embedded with LEDs that spell out pre-programmable messages… they’re going to completely change the way we communicate with each other… we’ll be bigger than Twitter!”
Gill may well be the architect of his own demise but the definitive killer of the QR Code remains a mystery, open for debate. Although it would seem that the return of the QR code is not. While many believed that the technology would live on such was the backlash toward it in the industry that, as a standard, it was completely deleted. When quizzed on any possible reinstatement an industry expert said, “It’ll be a ‘Adobe Flash’ day in Apple‘ before that happens.
Q.R.I.P. indeed.
A cautionary tale…?
…or could this mean that the death of the QR Code is imminent?
Clearly QReativity is called for…
What are your thoughts?
Comments below…