QReativity continues

It’s been a while since my last post… new teaching role and an abundance of freelance work has kept me away… but I had to let you know about this…

Dundee is currently in the middle of a Science Festival…

Earlier this year I was preparing for a lecture in Edinburgh, QReativity – The Mystery of the QR Code (a screencast version is posted below) talking about the various QR projects I’d been working on. For practice I gave my talk in the University and amongst a handful of folk who turned up were three members of the Science Fest committee, keen to find out more.

Time didn’t allow for me to be any more involved than the Q&A after my talk and the odd email here and there. However, as part of the festival a series of posters have been produced to promote a variety of ways in which QR codes can be used for Art, Education and Entertainment.

QReativity is the tag given to each of the various QR projects of the last year – it’s also the title of the SciFest poster that points you in my direction and for that I am most grateful. Thank you Dundee Science Festival 🙂

I managed to get a few photos of un-posted artwork while paying a vist to Street Advertising (who manage the poster sites) and today, after a tip-off, I went in search of a ‘posted’ version. Ironically, my poster is not only on the same site, it’s even in the same position as the very first SuperFly poster of just over two years ago (image below). Not only that but above todays poster is an ad for the NEoN festival 2011 – in 2010 (along with Rick Curran and Tim Pryde) I launched the first of a series of QR Treasure Hunts – NEoN Knights.

It feels like those projects are being neatly tied up at exactly the point where I’m working on the next incarnation of my evolving QR/engagement projects… a permanent QR Trail along Dundee’s Dighty Burn.

But you don’t want to hear about that just now – that’s for another post… to be continued..!

You can learn more about the SciFest – here

 

Game Over…

The ‘activity’ from this ‘hive’ is soon to be redistributed across the country as everyone heads towards new jobs, new challenges or another stint with ‘the folks’. My family get their Dad back and are probably hoping he’ll not be on the computer as much!

My year of living dangerously has come to an end and I’ll have to start getting up early again. I never actually stopped getting up early – I have two little alarm clocks that make sure of that – but getting out of the house early again is definitely going to be a challenge.

So, tomorrow morning (today now actually) I’ll be back in college. But not DJCAD and not as a student.

I’ll be teaching at the local FE college in the area of digital imaging a few days a week, plus working on some freelance projects that are lined up while waiting for the funding that is being sought for location based services to come through so that I can work on those too.

Rick Curran (wideopenspace) and I have set up QReate.co.uk as a coverall business that will offer those LB services along with content managed ‘dynamic’ QR Codes and bespoke QR Treasure Hunts for advertising, education, tourism, entertainment and whatever else you can think of.

It’s been the fastest year. Also the most fun.
I’ll miss the freedom and availability of time to get things done but also there’s a lot to be said for the edge and urgency that comes with the pressures of the ‘part-time’ project so i’m not going to disappear.

The first thing I need to do is find the balance of where I position myself between here and SuperFly.org.uk – jump between them, integrate them both..? If you’ve experience in this area then suggestions gratefully received.

I’ll be back soon with final show images (my space and Mystery Box close up included here) and videos (more talks from the closing night)…congratulations to all DJCAD MDes 2011, hope to see you all flourish soon… 🙂

…but for now, it’s not so much Game Over as to be continued..!

QR jigsaw..!

So, finally, a physical Mystery Box!

I’ve been doing a lot more with the form of the QR Code lately. I’ made one barely recognisable as a QR Codes and it still worked! But few people would recognise it as a QR Code so it kind of misses the point.

So, I started working up my prototype concept of a QR Jigsaw. Initially I was going to have a QR on the bottom of each piece and the solving of the jigsaw simply gave you the correct order of a series of links, audio, video, images, in order to tell a story. I turns out that the QRs are so robust I was able to make the QR the jigsaw image and if you’re careful they actually scan.

So here’s some images and video of the making process. Time in the workshop is always good. Great to get away from the computer. The results of the laser cutter is good too but it’s very slow, at the far end of the building and you’re not allowed to walk away from it in case it catches fire… so it’s pretty dull waiting around…

So, the Masters Show opens today so come along and see the Mystery Boxes for yourself…

I’ll be talking soon about developments with a QR related service established by Rick Curran of [wideopenspace] and myself. Where this jigsaw idea fits in is that toys like this can be made bespoke and directed at any given location, but also that that location could be changed. The laser cutter makes it possible to customise every element of the box design and while they would mostly be consistent at least one side of the box and even the jigsaw could be customised.

Looking forward to experimenting further this coming week as I have one week left with the facilities… then I’m on my own!

 

Panic?

A mobile-phone and a no-longer-mobile car...

The riots in the UK just now seem to be spreading as quickly as Morrisey could reel the names of cities off in The Smiths ‘Panic‘.

“Panic on the streets of London
Panic on the streets of Birmingham“

I woke this morning to find that, for the third consecutive night, looting and arson are seemingly rampant across England with no clear indication that anyone can stop it.

I watched in interest on Saturday evening as the information and content on Twitter (and it’s photographic counterparts such as TwitPic, etc) and YouTube, was differing from that of the nation news agencies. The BBC seemed to be several steps behind and it was Sunday morning before the real story was told through verified means. While Twitter can be very unreliable there were those on line who were conveying a sense of fear that wasn’t present through the national media (thank you @davidcushman)

Astounding difference been official media tweets, journos tweeting on ground and real people sharing what they see. Fear in the latter – Aug 6, 11:24pm davidcushman

Cushman then went on to ‘ReTweet’ on-the-ground reports from both pedestrian observers and official news outlets.

RT @PaulLewis: If police indeed are saying #tottenhamriot “contained”, that is absolutely not true. It is mayhem.

RT @D_Dougieee: I actually cannot believe what I’m seein! A bus on fire! Police cars on fire! They’ve broken into banks, hairs shops n jewellery shops!

RT @itv_news: Police cars set on fire in Tottenham, north London, after riots connected to the shooting of a young man by police on Thursday #Tottenham

Last 3 RTs to illustrate that difference.

Real-time unedited view delivers a tapestry of perspectives versus an edited version of ‘the truth’ #tottenhamriot

Apart from the relative horror of witnessing this kind of information from the comfort of my own bed (800 miles away), I was intrigued by the use of the technology. We’ve seen it happen across the world… Japan, Middle East, China… when in times of distress social media has created a life-line for many… before, in some cases, it got shut down…

However, two days on and I’m beginning to see the effect of how this media is also being used to fan the flames. No, it’s not to blame..!; there are plenty of reasons why these things happen and not one of them is ‘mobile phone’. But as someone who has been using these types of media and techniques for the purpose of entertainment and education it’s a timely reminder that, like any valuable tool, there will always be a way in which it can be abused.

No doubt rioters are being rallied directly through various networks but also rallied through miss-information, and being made to believe there are similar incidents in their area when there are none.

Without question this is a desperately sad situation.

I have chosen not to link to any of the riot videos as I’m sure if you are reading this you are capable of finding them yourselves, and while there is much to learn from viewing these films, for many they remain a source of entertainment and I’d rather not propigate them.

There are some users though whose intention is the ‘other’ ‘E’. Education. Via Twitter I came across this Google map by James Cridland who has mapped verified information on the riots. If you read his blog you’ll see exactly how vigorous that verification process has been. It’s an illustration of how useful, but also unreliable, Twitter can be.

Sadly, while exactly the same process, it’s a stark contrast to the maps that I’ve been creating for the purposes of games and tagging and mapping media.
The outcome, while extremely useful in many ways, is also a lasting virtual memorial of what has happened over the last few days.

Let’s hope that he doesn’t need to populate it any more.
Alternatively you can check out the emerging hashtag of #riotcleanup where you’ll find more positive images like these. The same tech, the same areas, just different people…

Beginning/Middle/End

Beginning/Middle/End: A challenge to capture your life in three images through Instagram!

UPDATE: (9-8-11) ***BMEday is confirmed as being this Saturday 13 August!***

I blogged about Instagram recently. Instagram is a great iPhone app (runs on iPad2 but no Android plans as yet…) for sharing photos in a way that is not dissimilar to how people use Twitter. Just under a year old the service has six million users who have shared over 100 million photos. It has it’s own micro-community but it’s possible to share your images instantly with other networks you may be connected to such as Flickr, Twitter and Facebook. Images can be captured within the app but there’s also the option to pull images in from your device’s photo library which means you can still use other photograph apps and filters before you share.

Why do I like it so much? Well digital has give photographers the ability to throw caution to the wind. No spools of film to worry about or the restrictions of a 36 image spool… at the end of a day out there can be 500 images on the camera card to sort through. Instagram, because it’s ‘instant’, is closer to the old experience of a Polaroid or 35mm where every image counts. Choosing exactly the right image to tell a story in the ‘moment’ is a really interesting idea to me. I may not be telling you the whole story, but it very definitely is a story… and a single image has a mystery element, it fires the imagination and these are elements very close to the heart of my project.

By now, you’ll know that I’m obsessed with stories. Stories themselves but also the construction and architecture of stories. There are many definitions of what makes a story but rather than try to ‘define’ what I think a story is i’ve decided to distill everything I’ve written above and distill it down into a creative experiment…

Beginning/Middle/End is an experiment inspired by a quote, a film and my work. Through my Masters project I’ve been creating treasure hunt style games in varying places and spaces… varying in size from a city over the course of a week, a conference venue over a day and even a gallery space for ten minutes. The most interesting things to come out of each of these games is not the game itself but what happens around the players and the stories that consequently unfold…

Recently the movie Life In A Day showed what would happen if thousands of people captured their life on video, and shared it on YouTube. Producer Ridley Scott and Director Kevin MacDonald curated a selection of those moments, captured over the course of 24 July 2010, and created a 90 minute snapshot of life on that day. It felt appropriate to me to do something similar in the real world ‘real life’ to contrast the artificial worlds and situations i’ve been creating through the games.

Finally, my research into storytelling led me to the use of the number three. In fact the ‘rule of three’ ‘rules’ storytelling. The Three Bears, three wishes, the third day, etc…  ‘threes’ can even be found in the structure of story telling. Famously, French film director Jean Luc Goddard said, “a story should have a beginning, middle and end… but not necessarily in that order”.

So, I took these ‘three’ elements, filtered them through Instagram, and dreamed up this challenge. On a specific date ‘to be confirmed’, I would like YOU to take three images. A beginning, middle and end for YOUR story. It’s entirely up to you whether you need to add a words or a caption. The day in question may be your lazy day, your birthday, your wedding day! You might be off to Costa, the Co-Op or another continent..! It’s your life I’m interested in, or at least how you want to present your life through Instagram. In three all important images.

If you don’t yet have an Instagram account then set one up, see what it’s all about and get ready for BMEday!

Rules
What you must do (boring but essential stuff coming…) is label each of the images ‘beginning’, ‘middle’ or ‘end’ and also hashtag each of them #BMEday. You’ll find Instagram remembers tags after you’ve used them once.

Why are these two labels important?
The ‘beginning’, ‘middle’ and ‘end’ labels are important because I will be gathering the images together as a series of stories into some kind of online exhibition on my website so I need to know what order you want them in. The hashtag is essential for me to finding your entries on Instagram.

What’s NOT important
I don’t have an iPhone. I run Instagram on a wi-fi only iPad2 so I rarely get to upload images when I’m out and about. It’s not essential to me that the images are posted in real-time or from their location so, if like me you want to use an iPad, feel free to take your pics and upload them by the end of #BMEday.

Also, your images can be taken over the course of a day (eg morning, noon and night), they don’t need to be all together in your image stream (another reason for the labels and hashtags) so don’t worry about other Instagrams that you might send during the day.

It’s not even essential to follow me on Instagram, but it would be useful to know if you intend on taking part, so a tweet, email or comment here would be great.

Also, any queries/questions you may have can be posted below. I’ll post the date for BMEday asap – it’ll most likely be a saturday but if you have any comments regarding that, then let me know. It’d also be great to hear what you love about Instagram – what it has to offer you and others who might like it…

I can’t wait to see your stories…

Who Killed The QR Code?

Marble QR memorial in Pere Lachaise, Paris

Found this on the web via ‘Geek-eLeaks‘ and copied it here before it was removed… apparently a leaked obituary for the QR Code!

Obituary: QR Code

Who Killed The QR Code, aka Quick Response?
The sad irony of course was that the QR Code was anything but ‘quick‘ to catch on. Is this a tale of ‘tech‘ ahead of it’s time?

Created by the ‘Terminator II‘ sounding Denso Wave (a subsidiary of Toyota) in 1995, to keep track of car parts, the QR filtered through into public consciousness in the mid-naughties with the rise of the ‘smart phone‘! But it seems that the phones were smarter than the people and the QR just didn’t catch on. Speaking from Cupertino back in 2002 an iPhone said, “Sure I can make calls and text an stuff, but when you’ve paid $500 for a phone and $30 a month for two years you need a little extra, a little justification, to sweeten the purchase! QR did that for me in spades.. the geeks ‘lurve’ the Codes maan!“

Clearly a hit with the early adopters QR Codes, along with more obviously useful applications, promted a whole slew of smart phone purchases and QR Codes could be found across the world on the office doors of computer scientists who would embed them with ZX81 jokes.

However, the ascension of the bell curve from early adopter obscurity to it’s big break with the early majority fan-boy status was an endurance test of K2 proportions. But even then it didn’t quite happen for the Code.

2009 was heralded as Year of the QR Code… as was 2010… and then 2011. To be fair 2011 looked promising, but even before the paint was dry on the ‘welcome‘ banners the backlash had started and signalled the demise of the Code called Quick. So what was it exactly that made the Code more Napoleon Dynamite than Justin Bieber?

Was it the casual association with Supermarket 1D barcodes?
Did it’s challenging appearance make it the Elephant Man in the room?

This may be one autopsy that remains unresolved.
This mystery may never be explained.

However, there is one designer who believes ‘mystery’ is ‘the key’. He also believes that the passing of the QR Code is much simpler than the media would have us believe.

Initially designer Jon Gill wasn’t enamoured by the QR code, he was much more interested in the much ‘cooler’ GPS technology, but the QRs accessibility made it perfect for his projects. In early 2009 he started an outdoor visual arts exhibition project called SuperFly. While QRs were on the cards from the start it would be late 2010 before they found their way onto a SuperFly street poster treasure hunt called NEoN Knights.

Gill says of QR Codes, “They are a great tool for ‘mystery’! Once you’ve scanned one you can’t wait to find out what lies behind the next!”

Gill developed a close working relationship with the Code, some would say too close… but undeterred by the naysayers Gill persevered with a single minded creative passion. Of the Codes untimely relegation and controversial Wikipedia entry deletion, he says, “The problem, as I see it, was that too much responsibility was placed on the shoulders of the QR code. The QR is a key, a doorway if you will, to somewhere interesting, engaging, and worthy of the mystery implied by the enigmatic pixelated box that bought you here. The trouble was, while there were lots of really cool and creative uses of the QR they were swamped by a deluge of rubbish from ‘less_than_creative_marketeers.com’ who just didn’t understand what to do with them.”

‘Less than Creative’ advertising and PR is nothing new. Open a magazine. Turn on a TV. Any day of the week. You’ll never be far from a steaming pile of marketing manure. But on this occasion it was the QR Code carrying the can. By early 2012 “doing a QR” had superseded “doing a Murdoch” (which, only months before had superseded “doing a Lucan“) as the street-side nomenclature for ‘disappearing without a trace‘.

The collapse of the QR Code would almost take Gill with it, although it appears he was doing a fine job by himself… he laments, “I was the QR-go-to-guy… the QR-go-to-superguy..! But when the QR Code folded I was seen as a one trick pony… I was a laughing stock and… well… folk assumed I’d go with it.
I’ll have the last laugh though… with ‘HooLED-Hoops’ my line of Hula-hoops embedded with LEDs that spell out pre-programmable messages… they’re going to completely change the way we communicate with each other… we’ll be bigger than Twitter!”

Gill may well be the architect of his own demise but the definitive killer of the QR Code remains a mystery, open for debate. Although it would seem that the return of the QR code is not. While many believed that the technology would live on such was the backlash toward it in the industry that, as a standard, it was completely deleted. When quizzed on any possible reinstatement an industry expert said, “It’ll be a ‘Adobe Flash’ day in Apple‘ before that happens.

Q.R.I.P. indeed.

A cautionary tale…?
…or could this mean that the death of the QR Code is imminent?
Clearly QReativity is called for…

What are your thoughts?

Comments below…

SuperFly Space Hop

A Space Hop, by SuperFly definition, is a treasure hunt using a specially tagged Google map, QR codes and mobile devices around a town or city. This one was designed as a ice breaker for PHD students gathered for a Summer School focusing on eTourism.

The game is part of my Masters research focusing on evolving role of storytelling through social media and video games. I want to find effective and engaging ways of using these emerging tools for education, entertainment and advertising.

The game in ST Andrews had five teams of four or five members each. Each team had a HTC Flyer Android Tablet to view the map, scan the codes and complete the prescribed tasks by capturing photos and video. In addition each team had a videographer with another tablet capturing their progress.

Just over a week ago I began the task of watching a few hours worth of video to make some sense of it all. There were certain things that I was looking for… were the tasks too hard, too easy, understandable? I was also looking for clues as to how a tourist may behave using an application such as this. Does it enhance or hinder the experience of visiting the city?

Below is a rough cut of some of the video captured during the game.

I’ve since been able to capture feedback from three of the five teams that took part and so I pretty much have a 360 view on what happened and how the players and observers felt about it.

Probably the most negative person in relation to how the day panned out was me because, as ever, there were technical issues. Nothing that could have been foreseen without a complete dry run, and nothing that couldn’t be remedied in other ways. Mainly the issues were with uploading images and particularly video during the game. Looking back, trying to gather a live feed of images and video, given the constraints of 3G, was perhaps a little optimistic. However, those issues coupled with some of the feedback would suggest that the most convenient way to go would be an ‘app’ that contained the Google map, QR reader and links to Flickr and Twitter so that each element could be accessed more easily.

I’m now in the process of visualising the feedback and experiences of NEoN Knights, the two SuperFly Safari’s and now the Space Hop.

It’s amazing how much information you can take from playing a game like this. Besides the benefits that come from the experience itself there is also a huge amount of behavioural data that could be manipulated out of these scenarios. An artificial cultural probe? Not even sure what I mean, are any cultural probes non-artificial..? However, theres something in there… I’m sure that scenarios could be orchestrated, like role play, but observations made during the process… like a Swiss Army Knife of a design tool..?

Anyway, this post has been long enough so I’ll leave you with your thoughts and post more later…